Sous le Meme Toit – Dominique Farrugia

 The couple who try to rebuild a relationship post-divorce is fertile ground for comedy.  Martin Bourboulon’s Papa ou Maman is an excellent example of an original idea, a well-written script and bucket loads of chemistry between the two lead actors Laurent Lafitte and Marina Foïs. Elements sadly lacking from Dominique Farrugia’s tedious comedy Sous le Meme Toit.  In an…

Django – Etienne Comar

Based on the 2013 novel Folles De Django by Alexis Salatko, Etienne Comar’s fictional account of popular gypsy guitarist Django Reinhardt’s wartime experiences in occupied France singularly fails to capture the high-octane energy of the Belgian-born Romani musician. This is a disappointing debut for Comar who is in the director’s chair for the first time.…

Desplechin film to open Cannes Film Festival

The organisers of the 2017 Cannes Film Festival have unveiled this year’s contenders for the much coveted Palme d’Or. With a jury headed by Pedro Almodóvar, a festival regular who has had six film in competiton over the past few years without ever winning the top prize, the festival kicks-off with Arnaud Desplechin‘s Marion Cotillard-led Ismael’s Ghosts. Desplechin’s Trois…

A Bras Ouverts  (With Open Arms) – Philippe de Chauveron

Philippe de Chauveron hit box-office gold with Serial ‘Bad’ Weddings in 2014. With over 12 million admissions it was the year’s most popular French film.  Its overtly rascist humour was too much for anglophone audiences and the film was not picked up by distributors either in the UK or the US.  But this didn’t stop…

Telle mère, Telle fille (Like mother, Like daughter) – Noémie Saglio

Director Noémie Saglio and actress Camille Cottin make a formidable team. Cottin has appeared in Saglio’s last three films – Toute Première Fois, Harry Me – The Royal Bitch of Buckingham and this latest outing-  Telle Mère, Telle Fille.  Harry Me, a toe-curling series of candid-camera gags was a box office success in France with…

Sage Femme (The Midwife) – Martin Provost

Director Martin Provost continues to focus on female relationships in his latest film Sage Femme which brings together for the first time two of France’s most seasoned actresses – Catherine Deneuve (La Tete Haute) and Catherine Frot (Marguerite). After wowing critics with Séraphine in 2008, Provosts’s Sage Femme is a disappointingly dull film which lacks a…

Stars turn out for Cézanne et Moi New York premiere

by Paula Schwartz. Diane von Furstenberg hosted the New York premiere of “Cézanne et Moi,” Wednesday evening at the elegant new Whitby Hotel in midtown Manhattan. As you’d expect, the starry event was attended by A-listers in both fashion and art.  “Cézanne et Moi,” is a luscious period piece written and directed by veteran French…

L’Embarras du Choix – Eric Lavaine

Director Eric Lavaine’s L’Embarras du Choix is a formulaic romantic comedy more at home on the small screen than deserving of the full cinema treatment.  It follows the box-office success of Lavaine’s last stint in the director’s chair, Retour Chez Ma Mere, and redrafts the same lead actress Alexandre Lamy.  L’Embarras du Choix sits neatly…